IntroductionDate Range: ca. 1150 - 1350 Secular includes popular, courtly and some devotional songs in vernacular and Latin. Monophonic music has one line of melody only (no implied harmony).
TypesTroubadour - Southern France early 12th C - late 13th C Trouvère - Northern France late 12th C - early 14th C Spain 13th C & late 14th C Minnesingers - Germany late 12th C - early 14th C England mid 13th C - mid 14th C Instrumental - France late 13th C Instrumental - Italy mid/late 14th C Other (Italy, Arab, Byzantine, etc) 12th C onwards Troubadour* Southern France, Catalonia, NW Italy, early 12th C - late 13th C * Language - Occitan * Styles - mainly courtly art music, some popular, some satirical, dance songs, game songs * 450 named Troubadours * Primary Sources - 40 Chansonniers (manuscript songbooks), 4 with music, * compiled mid 13th C - mid 14th C. * the 4 ms with music copied in S. France, Italy and 2 in N. France * about 2500 texts, 250 with music * Written in non-mensural (plainchant) notation * Musical Examples: Reis Glorios - Guiraut be Bornelh; Be m'an perdut - Bernart de Ventadorn
Trouvère* Northern France, England, mid 12th C - late 14th C * language - French * Styles - Courtly art music, popular, satirical, dance songs * 250 named Trouveres * Primary Sources - 25 Chansonniers, 20 with music, * compiled late 13th C - mid 14th C. * about 2200 texts, 1400 with music * written in non-mensural (plainchant) notation except for some later songs * Musical Examples: Au renouvel du tens que la florete - Anon;J'a nun hons pris - Richard, Coeur de Lion
Spain and the Cantigas* Spain, mainly West and South, 13th Century * Language - Gallician-Portuguese, some Latin * Style - popular songs in folk style * Primary Sources: > The Cantigas de Santa Maria * 3 manuscript copies of a collection compiled in 1284 by Alphonso X 'El Sabio' of Castile * 400 songs, every 10th a devotional hymn to Santa Maria * folk stories about miracles attributed to the Virgin Mary, often humorous * written in mensural notation (i.e. note lengths) > Cantigas D'amigo by Martim Codax * ca. 1230 * a cycle of 7 songs * written in non-mensural notation > Llibre Vermell of Montsarrat * compiled late 14th Century * 10 pilgrim songs set to folk-like tunes * some polyphonic * most in Latin, some Gallician * written in mensural notation * Musical Examples: A virgen, que de Deus madre - CSM 322; Sempr'a Virgen groriosa - CSM 377
Germany and the Minnesingers* Germany, late 12th C - early 14th C * Language - German, Latin * Styles - Courtly art music - in German and Latin (sometimes mixed), satirical * 35 named Minnesingers * Primary Sources - ca. 40 manuscripts * compiled late 13th C - late 15th C. * includes the Carmina Burana ms (early 13th C) with ca. 200 songs * about 500 (?) songs * written in non-mensural notation, some in untranscribable neumes * Musical Examples: Palastinalied - Walther von der Vogelwiede
Instrumental* France, late 13th C - early 14th C * Italy, mid/late 14th C * All known instrumental music is written in mensural notation * Primary Sources: * French * included in trouvere chansonnier * 8 Estampies Real (1 incomplete) and 3 other dances * Italian * included in a ms of Italian Ars Nova songs * 15 dances ranging from simple to very complex * English * Robertsbridge Codex - English early 14th C - 3 dances written in keyboard tablature * 4 'notas' - English 13th C - 3 of which are 2 part * a (small) handful of others * Musical Examples: Dance Real - Anon French; Trotto - Anon Italian
Other* some monophonic works by later composers generally known for polyphony, e.g. Machaut, Landini. * Italian Lauda - devotional hymns * Tenor lines of later motets * Arabic melodies from the 13th & 14th centuries * Music of the Goliards - 12th C. Latin conductus (not quite sacred or secular) * Some secular (?) Byzantine
Chris Elmes, 1999 |